I was having trouble accessing the Seattle Public Library database this week, so I wasn’t able to find the original clipping of this Vincent Canby review, but you can read it online here:
The Times’ website requires registration (free), but here’s a small excerpt:
“The Passion of Anna is one of Bergman’s most beautiful films (it is his second in color), all tawny, wintry grays and browns, deep blacks, and dark greens, highlighted occasionally by splashes of red, sometimes blood. It is also, on the surface, one of his most lucid, if a film that tries to dramatize spiritual exhaustion can be ever said to be really lucid. However, like all of Bergman’s recent films, it does seem designed more for the indefatigable Bergman cryptologists (of which I am not one) than for interested, but uncommitted filmgoers.”
See all you “indefatigable Bergman cryptologists” this week!
The Passion of Anna plays November 20-25 daily at 7pm.